Gadaladeniya Temple

Gadaladeniya Temple

Built almost exclusively of stone in 1344 by the Gampola King Wickramabahu, situated on a hilltop, commanding views of the surrounding countryside.  
The architecture is Dravidian. The entrance porch features large stone pillars, which support a roof of huge stone slabs. Within the vihara, an ancient stone and plaster Buddha image looks down upon milk rice pots that have collected food offerings for centuries. The 638-year-Old jack wood doors still exhibit their original paintings.

  [ This site with an ancient monastery is found on the flat rock at Diggala in the district of Kandy. According to a inscription there this temple was built by King Buwanekabahu IV in the year 1344. The chief architect of this temple has been a south indian called Ganesvarachari. Therefore this temple is essentially a South Indian design.

The main shrine room has seated (in Vajrasana) Buddha Statue under a Makara Thorana and four standing Buddha images. The makara thorana is decorated on both faces with gods such as Brahma, Suyama, Santhusuta, Natha and Maithree, and two attendants.
The chamber within the Sikhara (dome) has had a Buddha Image but has been destroyed by the Portuguese. Next to the shrine room is a Devale (shrine) dedicated to God Visnu. According to Mahavansa, The great chronicle of Sri Lanka, It was "Upulvan Deiyo" thus Visnu that was selected as the guardian to protect the land of Sri Lanka and Buddhism within it at the time of Buddha's passing away. There for this deity has special place among the Sri Lankans.
By the side of the Visnu Devale is a Stupa made on a rock. This is believed to have been made by the King Parakramabahu V. This stupa has a roof built over it held on 4 pillars. 4 smaller satellite stupa's are built on small shrine rooms around the main stupa. This structure is called the Vijayothpaya or Vijayantha Prasada named after the mythical palace of god Indra.
This temple was neglected for some time and then it was handed over to the Velivita Saranankara Thero by the king Viraparakrama Narendrasinha (1707 - 1739) and this temple has been looked after ever since by his pupillary succession.
Though this temple is known as "Gadaladeniya" today, An inscription identifies this temple as "Dharma Kirthi Viharaya" which is the name of the founding monk. The work "Nikaya Sangrahaya" identifies this temple as "Saddharmathilake" and "Saddharmalankaraya" identifies this as "Gadaladeniya Viharaya" after the village which it is located. ]


Gadaladeniya  Temple is located at Pilimathalawa, Kandy. When you are driving from Colombo to Kandy, Gadaladeniaya temple road is at your right hand side. After taking that turn from Pilimathalawa, you have to travel another 2 km. The famous Embekke Devalaya and Lanka Thilaka Viharaya also located close by.
Gadaladeniya Temple Pagoda
Gadaladeniya Temple Pagoda
The Gadaladeniya temple is located in a small hilltop, but can easily reach from the main road. If you are coming by a small vehicles like a car or a van, you can just drive up. Once you are in the summit, you can get a good view of the surrounding area from here.

Buddha statue in one of the shrine roon around the dageba
Gadaladeniaya Temple was build by king Wickramabahu in 1344 during the Gampola Kingdom time.

At the entrance you can see the Dageba ( pagoda) by your right hand side. Actually this consist of one main Dageba and four small ones. The main Dageba is covered with a roof. There are four small shrine rooms around it with small dageba located top of each.

The Boo tree is located in front of the dageba and there is a old inscription located by it. You can see that is covered with a fence to prevent from damaging.
Gadaladeniya Old inscriptions
Buddha statue in one of the shrine roon around the dageba
Gadaladeniya Temple
Buddha statue in one of the shrine roon around the dageba
In the main shrine room has a large Buddha statue. This temple has some features of the south Indian architecture. At the time of our visits, we saw this shrine room was covered with a temporary roof and the archaeological view of the place is greatly affected by that. Most of the painting in this temple also fading.


 

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